If you read my last article (come on, check it out, I’m pretty proud) you know that Powered By The Apocalypse has a queer fandom. What’s more, you likely know that when it comes to RPGs, none appeal to me more than Masks: A New Generation. It utilizes a picture perfect narrative system while weaving it together with the trials and tribulations of being a fledgling superhero who also happens to struggle with the whole teenager thing. I frigging’ love it! It’s my favorite RPG system.
Hey, you don’t gotta take my word for it. This site has quite a few cool articles on the system I’d seriously recommend giving a read. Now, what I’m here for today is to tackle the systems of Masks in-depth from a perspective inspired by the Masks actual play podcast, Unlabelled. Unlabelled is a Masks podcast set in the Phoenix Academy playset (think Sky-High or My Hero Academia). While I had been dying for a podcast of that playset for months, what truly drew my attention hook, line, and sinker was the fact that the entire cast, both in and out of the game, was comprised of trans women. I love to see myself in my favorite hobby, and I adore to see myself in my favorite game.
During the character creation segment of the podcast, one of the players jokingly referred to the Transformed playbook as the “TRANS-formed”. A lot of trans folx have already noticed this with the archetype, and I briefly touched upon it in my last article, but the Transformed hits on many of the same beats of the trans experience.
Being changed and coming to terms with that.
Discrimination for standing out cos you’re not the same as everyone else.
People not understanding how you feel.
But that got me thinking. If the Transformed, an archetype based on youthful experience, could be so easily a metaphor for a trans narrative, why not all the playbooks? And I thought about it. And I thought. And I thought.
And this article is what came of it. So sit back, grab a drink and let’s dive into: Masks: A Trans Generation.
Continue reading Masks: A New Generation and the Possibilities of Trans Narratives →