Monthly Archives: March 2024

Articles, Editorial

Black Sword Hack and the evolving OSR

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The Old School Renaissance is a microcosm within the RPG world. Although many (including myself) refer to the OSR as a whole, cohesive thing, the reality is that the movement is more the result of at least half a dozen origins that random-walked into game preferences which, to an outsider, look similar. The broad preference towards the genre establishment of Dungeons and Dragons (or at least Appendix N, if not the system itself) bounds the definitions we work with; other retroclones and revivals like Cepheus and RuneQuest aren’t included, even if they too are ‘old school’. No, the main thing that all vectors of the OSR have in common is that they are trying to recreate the time when the roleplaying game was new. And when RPGs were new, either literally or in the eyes of the designer, the new thing that they first touched was (almost always) D&D.

All OSR games are aiming for either D&D as it was, D&D as it could be, or D&D as it was supposed to be. D&D as it was is simple; Old School Essentials is a straight-up retroclone and proves that ‘Basic D&D without shitty layout and shitty editing’ is a winning recipe. It’s the best known and best selling retroclone, but the retroclone camp of the OSR is arguably the oldest (to the degree that OSR is a label we can trace it back to OSRIC). D&D as it could be is where we start getting a lot of the distillations; the rules in early editions were such a mess you barely used any of them, so clearly one could write a game only using those few rules we could actually make work. This is where Into the Odd comes in, this is arguably where The Black Hack comes in, and, if rules were in any way supposed to be primary in the game, this might be where Mork Borg would come in. This example shows setting and tone are a different topic here than ‘game’. D&D as it was supposed to be is a tough one, and there aren’t many games that really aim for this mark. Whitehack is the one that comes to mind for me, taking the length and complexity of the original booklets and turning that into something much more flexible and consistent.

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Articles, Editorial

Maid RPG and Her Sisters

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Ryo Kamiya’s Maid RPG is many things; a comedy TTRPG, an anime game, the first Japanese RPG to be translated into English. It’s also one of the most divisive RPGs, but regardless, I don’t think any list of essential comedy, one-shot, and / or rules-lite games would be complete without Maid RPG. Allow me to tell you Maid RPG’s story; its history, its mechanics, and its reception, as well as the stories of a few other games that use the same system. But first, let’s address the fact that you probably already know of Maid RPG.

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Articles, Editorial

Daggerheart Preview

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Earlier this month, Darrington Press released the free playtest version of Daggerheart, their traditional fantasy RPG meant to go toe-to-toe with D&D. First with Pathfinder but now also with entries from MCDM and Kobold Press, we’re getting an awful lot of D&D-alikes, thanks to last year’s saga with the OGL. It’s now clear that a corporate game is a liability, so anyone making a livelihood in the gaming space is clearing out of the Halls of Hasbro. What makes Daggerheart, the entry from the Critical Role folks so special? I downloaded it for free, for one thing. In all seriousness Daggerheart is entering the public eye a little earlier than the MCDM RPG or Tales of the Valiant, both of which are currently fulfilling crowdfunding and doing any additional playtesting either contained to backers or within their own teams. The public playtest process is a great way to get a lot of feedback, and it’s worked well in the past; both 5e and the second edition of Pathfinder went through public playtesting.

It’s also caused some grief already. Darrington is somewhat in the crosshairs, between the moderate reception to their first game Candela Obscura and the relatively polarized fanbase that Critical Role has created by being the biggest voice in the room. Seems like a perfect time for someone like me to come in. I’m not the most impartial judge, given my growing disinterest in D&D or its cousins over the last five years, but I do understand what these games are trying to do. To that end, Daggerheart seems to have what it takes to grow a fanbase. It just needs to solve a few niggling issues with its own relationship to narrative mechanics first.

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Articles, System Hack

System Hack: Using Playing Cards

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Welcome to another System Hack! Way back when I gave an intro to how to use dice and dice statistics in your game designs. This is in some ways a sequel to that article, but given the design assumptions of RPGs it also plays a very different tune. We use dice in RPGs because large swathes of our game mechanics are predicated on the probability of something happening. Success, failure, or something in between is determined by odds that reflect the internal consistency of the setting. This, like so many norms in gaming, comes from wargames and isn’t particularly necessary in many game designs. We have gotten through the checkpoint of ‘you don’t have to use dice’ but the result has been, merely, diceless games. What if we play differently, and steal a deck of cards from the poker set instead of stealing dice from Monopoly?

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Articles, Editorial

A Survey of Rules-Lite Superhero RPGs

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I recently felt the urge to find a rules-lite system for playing superhero games. Like most nerds I love superheroes; it’s a very unique genre bursting with its own weird tropes and traditions. It’s not surprising that superhero games are popular in the TTRPG space.

What did surprise me as I began to search for a game is that there are a lot of superhero RPGs out there. I found over 25 games that seemed compelling, at least at a glance, and that’s just rules-lite games; there are even more games if you include crunchier systems. But crunchy games aren’t the focus of this piece.

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Articles, Crowdfunding Carnival

Crowdfunding Carnival: March, 2024

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Welcome to Crowdfunding Carnival for March! We do have a bit of ZineQuest drop when it comes to crowdfunding in the late winter and early spring, but that doesn’t mean people are stopping. There are eight campaigns we’re going to discuss today, in addition to looking back to March of 2019. Of particular note is Backerkit; the up and coming platform is still contributing campaigns at a steady trickle, including one major and two indie campaigns this month. That’s more than can be said of any of the other platforms we began investigating when this series shifted from Kickstarter Wonk to Crowdfunding Carnival, at least unless you expand your scope to include 5e shovelware and oddly pornographic mini models. Nonetheless, the Kickstarter/Backerkit crowdfunding world that we live in is getting us some big supplements, dragon riders, the Gilded Age, and a superhero retroclone. Let’s take a look.

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