Adventure Log: Cyberpunk Red: CabbageCorp Finale

Riding in a Bell Super Huey generously called ‘ancient’, the CabbageCorp team is heading to the Heartland Complex. The five spires of the complex are the jewel of the Hydropolis skyline, and in one of them Dr. William Squires is preparing to unleash a cloud of plant seeds which, when guided by an artificial intelligence, will regreen the entire North American continent. They may also kill anything in their way, which is why CabbageCorp is trying to stop the whole thing.

A whole lot of things happened very quickly since we last checked in on the team. After discovering the severity of the matter, the team gave the OK to their Media Jacob Capone to leak the story to the press. Thanks to Jacob’s credibility, the story took off, and Militech sent a detachment of armored vehicles in the direction of Kansas. CabbageCorp had to stop Squires and his plan before the armored column got there and either kickstarted the apocalypse or started a Fifth Corporate War.

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Weekend Update: 6/25/2022

Welcome to the Cannibal Halfling Weekend Update! Start your weekend with a chunk of RPG news from the past week. We have the week’s top sellers, industry news stories, and discussions from elsewhere online.

DriveThruRPG Top Sellers for 6/25/2022

  1. Traveller: Robot Handbook
  2. Scion Second Edition Book Three: Demigod
  3. Dwarrowdeep
  4. WFRP: Salzenmund: City of Salt and Silver
  5. WFRP: Winds of Magic

Top News Story

DriveThruRPG July 2022 Print Price Increases Canceled: In a welcome reversal of an announcement earlier this month, DriveThruRPG has cancelled an upcoming cost and price increase for print-on-demand products. Per a publisher newsletter and their Discord:

“Recently we announced a substantial increase in book printing prices, originally expected to be implemented on July 13th. We are very pleased to inform you that this increase is no longer going to happen.

As we stated a few weeks ago, our printing partner Lightning Source/Ingram had informed us of pending price increases that would affect the entire range of our print book format offerings. This change was to take place in early July.

Since that time, we have met with Lightning Source and were able to secure better pricing options from them. As a result, we are able to forego the expected 2022 price increase to publishers and creators on OneBookShelf marketplaces.

We continue to negotiate with Lightning Source and to investigate alternative book printers.”

Have any RPG news leads or scoops? Get in touch! You can reach us at cannibalhalflinggaming@gmail.com, or through Twitter via @HungryHalfling.

The Push and Pull of Backstories

Character histories have been part and parcel of role-playing games ever since Dave Arneson’s players had to figure out why their characters were crawling the dungeons under Castle Blackmoor. Between now and then there have been some games which took character origins and centered them; Traveller famously integrated a detailed character history into its character generation rules and many games emulated Traveller in one form or another. While many games offer a range of mechanical backstory generation, though, the most popular role-playing game and therefore the majority of players are given very little. While the Fifth Edition of Dungeons and Dragons has added a little above its predecessors (in the form of Backgrounds), first level D&D characters are largely a blank slate, leaving their history and origin up to the player.

When backstories are left up to the player, they become a battleground of narrative control. Some game masters, hungry for player input, get frustrated when a player expects race, class, and background to be enough and writes nothing. On the other hand, game masters much more concerned with their world (and perhaps not wanting to give players an opportunity to modify it) may resent even having to read the backstory a player writes; if they’re particularly vindictive or conceited they may even punish a player (we all saw the Tweet where a noxious GM joked that the character with the longest backstory would be the first to die). With such a range, it’s not hard to see that a mismatch of expectations is much more likely to cause trouble than what those expectations are.

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Decisions and Endings in Video Games

When taken as a whole, it’s really only been in the most recent sliver of video game history that we’ve seen an explosion of robust narrative development. Sure, we must acknowledge the early pioneers, companies like Infocom and their titles like Zork. Still, modern video games, thanks to Bioware, Telltale, Quantic Dream, and others, have provided immense richness within the limitations of hardcoded storylines, settings, and decision points, richness that was not reachable earlier on.

Tabletop RPGs arguably got to this point earlier and have been there longer. It is simply more straightforward to write out several possible endings to a given module or adventure path than have to code them out and make more ingame content knowing that many players will never see it. In a weird way, though, that’s why I think looking at how narrative complexity presents itself in video games is so interesting and instructive. When video games fracture their storylines into multiple endings or complementary subplots (like, for example, character romance subplots), it has to be deliberate. Everything is designed intentionally, and for some players figuring out the combination of actions that leads to a given outcome is part of solving the puzzle of the game. 

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The Trouble With Marketing

Game design doesn’t sell games. Sorry. No, what sells games is the promise that that game offers, articulated by its designer. If the promise is good, it doesn’t matter that the game is bad; that’s what got the Fallout RPG into the ICv2 top 5. But whether the game you designed is a work of art or a slapdash ashcan, sorry, you’re still going to need to market it.

The Trouble with Marketing is either that no one knows how or no one wants to. I tend to believe the second of those two items; plenty of game designers don’t really know how to write but they manage to hire someone for that in most cases. No, marketing, in addition to being its own skill which is challenging to learn, really turns people off. It reminds you you’re selling something, it makes the whole process feel less like art.

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Crowdfunding Carnival: June, 2022

Welcome to the Crowdfunding Carnival for the month of June in this two thousand and twenty secondth year! Not to worry, Aaron is fine – just lost on a bike somewhere in the continental US, definitely not my fault. While he’s away I’ve snuck in and nicked his top hat and baton and gone looking for some tabletop roleplaying game crowdfunding attractions that are worth your time and possibly your money. There are chaotic cafes, regency scandals, vibrant seas, divine tales, monster-collecting kids, meta games, and exigent exalts along with a few observations from my unusual perspective up on this stage. So, without further ado, on with the show!

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