Editions and Edition Wars

Last week, the first in what’s assumedly a fairly long series of playtest documents came out for One D&D, the revised version of Dungeons and Dragons Fifth Edition that is scheduled to be released in 2024. Fifth Edition’s product lifecycle is quite long for modern D&D: 10 years is the second longest any edition of D&D has gone with no major revision, still not quite beating out the first edition of Advanced D&D which went without a revision for 12 years. The main difference between AD&D 1e and D&D 5e, though, is that Fifth Edition is the best selling version of D&D ever and AD&D 1e is one of the worst; Basic D&D sold better at the same time and saw three iterations over those 12 years, clearly getting more of TSR’s attention. This contrast gets us to the broader point that running an RPG business is a complicated game, especially when it comes to figuring out how to maintain your product lines.

New editions of games have been part and parcel of the RPG industry since Gygax attempted to close the Pandora’s Box of D&D hacking by releasing AD&D. Even that first public revision of a game, a wholesale rewrite as opposed to small revisions gained over time, laid bare the various and sundry motivations designers could have for revising their game. It may be an attempt to regain editorial control, or appeal to a new audience. It may, cynically, be a way to sell more books after the product line has flagged. And maybe, in some limited circumstances, it could actually be to improve the game.

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Meet the Campaign: Anti-Boredom part 2

The role-playing hobby is an embarrassment of riches. There are so many games, so many game ideas, and in contrast to that, only so much time. You don’t need to be all that prolific to reach a number of campaigns you want to run that will take literally your entire remaining life…and do so even if you’re just in your 30s. It’s from this massive buffet that we want to find one dish we can savor; that’s the concept of anti-boredom.

If you were here with us last time, you saw a discussion about the plots and premises that can feed a long-running, deep, and memorable campaign. Today, we’re going to start executing on our anti-boredom campaign by figuring out what support we need to make it happen. There are so many games under the sun, but some are better suited to long-running games than others, and an even smaller number still can truly support the breadth of play that will keep you, the multi-genre, multi-system, and ultimately very easily distracted GM, from abandoning them.

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On Character Creation

Role-playing games are games about characters: Who they are, what they do, and what happens to them. In most games, a character is the lever through which the player interacts with the world, and even in broader games the actions of characters are still primary in terms of what happens. What this ends up meaning is that game setup for a role-player, the act of character creation, takes on much more importance than setting up would in most board, card, or other tabletop games. 

Character creation is game setup, yes, but it’s also a game in and of itself, and was the solo act of role-playing well before solo games were popularized. Making characters is fun, and many of us who either couldn’t find people to play with or had more desire to game than time would make sheaves of characters who would never be played. As this was the one way everyone could interact with RPGs, friends to play with or not, it created a shift towards games with interactive and evocative character creation systems. Making choices was fun, though rolling random dice and seeing what you got could be fun too.

So where are we at with this? Character creation has broadened significantly since the days of D&D, and games now have longer, shorter, simpler, and way more complicated character creation methods. Each one generates different results and puts you in the head of your character in a different way, and not just because of math. This past week I had a gaming weekend with my primary gaming group, and as preparation I made characters for games of Legend of the Five Rings, Twilight:2000, and a couple others. It was the first time in a long time I had sat down to make a really involved character, and it made it clear that character creation can provide a lot more than stats if you want it to.

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Crowdfunding Carnival: August, 2022

Welcome to the Crowdfunding Carnival for August! You know what time it is, it’s…well, you might not know what time it is, because while yes, it’s ZineQuest, 2022 is both the first and last year ZineQuest will take place in August. It’s ultimately a little confusing, which may be why Kickstarter moved next year’s ZineQuest back to February before this one even happened! Nevertheless, it’s happening, and there are a lot of zines to go through, just like every year.

Because it’s August it’s GenCon, which means that usually crowdfunding channels are a bit quiet as many designers and publishers look to the con for promotion. This does seem to be true this year, though there are major campaigns on each of the competing platforms which are worth a look.

The big news under the carnival tent, though, is ZineQuest. It is day three as of this writing, and the initial flood of projects looking to start strong on August first are already out in the world. How are things going?

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I Have The High Ground Review – Dueling Wits and Flourished Capes

You might be knights or fencers with your blades crossed for sport or mortal combat. But what if you were hackers vying for control of a contested server? A murderer and the aggrieved loved one avenging their victim? What if you’re assassins and ex-girlfriends, or in a boxing match, or a bar fight, or even just a school talent show? So, who will you be? What will you do? There’s only one way to find out. Pick your weapons, push the limits, flourish your capes whenever justifiable, and play through a session of I Have The High Ground from Jess Levine!

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