Sometimes it’s not about slaying monsters, or resource acquisition, or worker placement, or even building railroad lines. Sometimes a board game is about relaxing with friends and loved ones, taking it easy and having a good time doing something as simple as watching the flowers grow. I’m working through the list of board games I came across and snagged copies of at PAX Unplugged 2019, and I decided something like that would be just the thing to start. Place tiles, build a beautiful array of twisting vines, and watch the flower (pieces) bloom with Trellis, a game of zen and blossoms designed by Teale Fristoe, illustrated by Vikki Chu, and published by Breaking Games!
Welcome to the first Kickstarter Wonk for 2020! Although January is often a thin month for RPG Kickstarters, with designers suffering the same holiday hangovers as the rest of us, this January, January of 2020, is likely to be the worst one so far. This isn’t random, not at all. Last year, Kickstarter threw an event called Zinequest, where game designers were encouraged to put out zine-sized games and RPG supplements in a recognition of the legacy of RPG zines from the 70s and 80s. This was wildly successful, and inspired Kickstarter to throw Zinequest 2. When is Zinequest 2? Next month. What are all the game designers doing? Getting ready for that. How many campaigns does that leave me? Very few.
As I’ve wandered into the Indie Frontiers this past year, I’ve heard tales of a fabled place where indie RPG designers gather from across the land: Big Bad Con. This yearly tabletop and LARP convention is hosted in Walnut Creek, CA, a short seven hour drive from my home in Los Angeles. I had never been to an RPG convention before, but this was too good an opportunity to miss. I left LA with a backpack full of dice and a mission—a mission to interview as many up-and-coming indie RPG designers as I could find.
Today’s interviewees: Taylor LaBresh, Suzanne Schenewerk, Justin Ford, Adam Vass, Sidney Icarus, and Charles Simon.
Pick a card, any card, any card at all . . . and it’ll tell you what kind of story you’re in and what your characters can do. Despite walking around a convention with Unplugged in the name, there were a fair number of plugged-in offerings. It could actually be called one of the motifs of the convention: games crossing the border between physical and digital games (going both ways), digital enhancements to traditional games, and games that blend the two from the foundation up. Among the latter is Weave: Storytelling Redefined, a game that’s half tarot, half roleplay, and all story.
On New Year’s Day, 2010, the RPG hobby wasn’t feeling very lively. Dungeons and Dragons was plodding along with Fourth Edition, though a lot of players had abandoned it for Pathfinder, or, as your friends called it, “D&D 3.75e”. The New World of Darkness was out, but you were having trouble finding the new part. Shadowrun 20th Anniversary came out…but that was just Fourth Edition from 2005 with errata. Though things weren’t looking so hot, there was some interesting stuff going on. This new website Kickstarter had been causing a stir in tech news, and more and more of the games you’ve been looking for had been made available in PDF. Something’s going to change, you think.
Exploration has been baked into humanity from our earliest history. It has inspired epic journeys, discoveries and legends that have shaped us. So, of course it would seem natural that our wanderlust and thirst for the unknown would lead us deep into the reaches of space. However, with that discovery has always come an immediate complication: who owns what’s newly discovered. It wouldn’t be humanity without quarreling over it, and with an entire sector of recently settled space, you better believe that there is room to move that petty bickering to a (literally) astronomical scale, and with Mongoose’s newest splatbook, Traveller: Behind the Claw, there is material for a resourceful GM to build for years.
In 1994, Richard Night had a vision for a new modern city. By 2009, that vision had gone awry, and what was supposed to be an urban utopia became an urban hellhole. As Bes Isis once said, “Nobody leaves Night City. Except in a body bag.”
On Christmas Eve, 2019, four enterprising RPG bloggers found themselves at a strange conjunction of parallel dimensions. Whether it was their campaign worlds, their characters, or Aaron’s insistence on reviewing Fate of Cthulhu while writing a time travel game, no one could say. Nonetheless, when they stepped through the strange, neon-colored portals that appeared in their respective homes, Seamus, Aaron, Aki, and Jason could not be less prepared for what lay on the other side.
Three years of Cannibal Halfling Gaming bringing our readers tabletop gaming reviews, advice, stories, material, and more! More articles, more games, more contributors, more new frontiers, and more stuff coming down the pike. So how has 2019 gone for us, and what lies ahead?
Sent back in time, you must save humanity from its enslavement by a godlike overlord. You must
protect John Connor stop Cthulhu! …wait. What? We’ve talked about kitchen sink games before, and this mashup definitely edges towards that territory even while sitting firmly in Lovecraft’s Mythos. If you’ve seen one too many investigator go over the brink, spent one too many hours in a briefing room with Delta Green or can’t seem to get all of these Laundry Files out of your inbox, here’s another angle on Lovecraftian Mythos: Time Travel. That’s right, it’s time to go 30 years in the past to 2020 and help change the Fate of Cthulhu.
I was fortunate enough to catch up with Keith Baker at PAX Unplugged 2019, and was doubly so that he was able and willing to take the time to sit down with me for an interview! What follows is our conversation as Baker talks about the Eberron setting, Rising from the Last War, exploring things further, the DM’s Guild, telling stories in The Adventure Zone with Twogether Studios, his favorite among a wide variety of hats, and what he finds most compelling about the roleplaying game experience.