Fantasy RPGs borrow heavily from myth. The superstructure of character advancement in D&D has always intended to emulate character growth from humble beginnings to nearly godlike heroism. Where D&D takes this broad structure and uses it for its own unique version of fantasy, Agon goes back to the source. Agon is an RPG of mythic heroes, seeking to emulate epic poems of Ancient Greek heroes and their exploits. Where a game like D&D guides the action and the narrative in broad strokes, Agon uses a more structured set of procedures to play through the trials faced by the characters. Designers John Harper and Sean Nittner seek to provide a specific structure by which players address challenges, see the consequences, and grow in relation to their world. The result is something evocative and easy to play, but which may frustrate players used to the more open-ended approach of D&D and other older, more traditional RPGs.
A long, long time ago, a man named Gary Gygax created D&D 1st edition. And while there were MANY problematic aspects of it that continue to proliferate and cling onto D&D and Wizards of the Coast at large, I am here today to talk about a particular part of the 1st Edition that always stuck with me since I became aware of its existence.
The Girdle of Femininity/Masculinity is a curse item. As what was seen by many trans players back in this time as the closest thing to acknowledgement of them in the “World’s Greatest Roleplaying Game” , the sheer fact alone that it is classified as a curse item should show you what the game back in those days thought of people like me.
Welcome back my friends, to the show that never ends… Am I referring to world events? The continuing growth of the RPG Kickstarter market? Do I just really like Emerson, Lake, and Palmer? No matter what it is, we’re back again with Kickstarter Wonk for October of 2020! 2020 is slowly coming to a close, and the RPG market is slowly recovering…while making my 10-game articles would still be tough, I’m happy to say that the five game article format has forced me to make some tough decisions between definitely more than five great looking projects. This month we also have a bonus sixth game! Fellow Cannibal Halfling Maria’s game Hero Too: Super Edition is currently on Kickstarter, and while I think it’s great and deserves your pledges I’m noting the conflict of interest here just so no one gets huffy. In addition to these six projects of note, I’ve also reflected a bit on who the Kickstarter platform is for. People sometimes get grumbly when larger or more well-known companies use the platform, but it’s worth it to set the record straight a bit on the realities of financing game design.
It’s no secret I enjoy Masks: A New Generation. In particular, I enjoy the podcasts that have spanned outwards from the system. From the schooltime days of Unlabelled to the messy and oftentimes heavy narratives of Young Vanguard to the absurdist but potent style of Critical Bits. Masks has spawned a universe of podcasts that interconnect into different facets of the superhero genre.
But we’re not here today to talk about universes. We are here to talk about multiverses. The Big Two comic companies have ingrained the idea of parallel universes and spiderwebs of different realities into comic book canon. The idea that there isn’t just one Batman, but a whole cacophony of them. That in one universe Spiderman is your friendly neighborhood superhero. But in another he has become a flesh-eating zombie. It’s the concept of a multiverse that has allowed writers to explore radically different stories for their characters without throwing a gigantic wrench into canon.
And while podcasts such as Protean City have touched upon the multiverse premise (And believe me, the Why You Should Listen To Protean City is coming) none of them have made it THE premise for the storyline taking place.
That is, until May 27th, 2020. When a group of different teen heroes, some from the local reality, some from ones far off in nature and domain, met in a graveyard and begun journeying together to ask the question:
What if someone told you there isn’t just one world. That your world isn’t the only one…
On September 23rd, Hello Games released the Origins update to No Man’s Sky, the latest in roughly a dozen major content updates to the game since it was originally released about four years ago. These content updates have turned No Man’s Sky from an overhyped mess into possibly one of the most celebrated sandbox exploration games available in the digital space. No Man’s Sky is not worth talking about on this tabletop-focused site because of its crossover potential, but rather because of how both its design and post-hoc development have laid it bare in a system sense. No Man’s Sky has three interesting things going for it as a subject: First we saw it fail, then we saw it succeed, and it happens to do both of those things to a mode of gameplay commonly attempted in the tabletop space: the sandbox game.Continue reading No Man’s Sky and Sandbox RPGs
Silent Falls is a small coastal town in the heart of Northern California. It’s quiet here, and since the recession a few years ago, people are not as friendly as they used to be. It’s been a rough few years for everyone. Alice Briarwood is a junior at Franklin Academy – the local high school – with a pretty decent number of acquaintances and friends, but as dawn rises on the first morning of winter break, nobody has seen or heard from Alice in three days. A friend returns to Silent Falls and reaches out, wondering at Alice’s silence, sparking off an effort by her loved ones to find her. However, this is no normal storytelling game; during play, you won’t say a word. Instead, as characters scatter across Silent Falls to find Alice, a text group chat will be the only way to tell your tale. This is Alice is Missing – A Silent Roleplaying Game.
New Campaign day is a very exciting day. Your group is ready to try something new, and everyone’s agreed on what it should be. Now you may be getting ready to run a Session Zero with something like Apocalypse World, where the feeling and the aesthetic of the game’s implied setting is broadcast to you, loud and clear, from the first page of the book. You may be getting ready for character creation in D&D, where the implied setting is strong but allows for a lot of variation within its fantasy tropes. Or, you might be walking into a game where the world has sprung from the mind of the GM, and you don’t know what to expect beyond maybe a few sentences that have been shared. Regardless of what situation your campaign will start with, now is the time you’ll most benefit from some soft prep.Continue reading Soft Prep for RPGS
Raat shi anaa. The story begins. Rising from the Last War brought Keith Baker’s dungeon punk setting of Eberron back to 5th Edition in hardcover form, but it was the earlier Wayfinder’s Guide to Eberron that first brought a world of pulp, noir, and wide magic to the latest version of Dungeons and Dragons – and it also opened up the door for anyone to create Eberron content on the DM’s Guild. When I talked with Baker at PAX Unplugged 2019, the curious implications of that came up. Since it made it to the final three of the Setting Search in 2002 Wizards of the Coast has owned Eberron; while Baker was often brought back to work on supplements and novels, the final creative control didn’t belong to him. He could talk about ‘his’ Eberron, and thankfully did so quite often and at length, building a great rapport with the community, but plenty of material he came up with would never see the pages of a hardcover book. The Wayfinder’s Guide changed that, and now we have Exploring Eberron, Rising’s “perfect companion” straight from the man himself. So let’s go through chapter by chapter and section by section to see how an already big world had even more in its uncharted depths!
Back in November of 2017, Fantasy Flight Games released Genesys. Both Seamus and I wanted a fair shake at reviewing it, and in the process we learned why not to do two-part reviews. Still, a lot of people read it and we continued being excited for the generic version of the Star Wars RPG that many of us at Cannibal Halfing had spent a fair amount of time playing. Now, nearly three years later, it’s a perfect time to revisit the system. Asmodee, Fantasy Flight’s parent company, has reorganized their RPG development resources. In the near future new Asmodee-owned RPGs will be released from the new Edge Studio imprint, and based on a panel at GenCon 2020 this will include new Genesys material (the IP referenced there was Twilight Imperium). For now, though, the Asmodee RPG pipeline is on pause, at least until the last couple Legend of the Five Rings supplements enter distribution. On my personal end, I have finally both played and GMed games in Genesys, which means it’s a good time to give Genesys the In-Depth treatment.
The world of role-playing games has been expanding outward ever since Dungeons and Dragons was first released. Within five years of the first published system, games which used different fundamental assumptions and mechanics not only existed but had started to find popularity. Within 15 years, games existed which used the medium in a completely different way than D&D ever intended or expected to. Now, over 45 years later, the RPG world is a vast plane of games with GMs, without GMs, games with dice, with cards, with block towers and with no randomizers at all. There are games which exist to simulate worlds, games which exist to be played optimally, and games which trace out the creation of a story scene by scene. It is, as they say, a glorious time to be alive.Continue reading How Exactly Do I Play This?