Category Archives: Editorial

Articles, Editorial

The Endie Awards 2025 – Aaron Edition

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This post is brought to you thanks to Lady Tabletop, who prompted folks to write about their own gaming experiences of the year and give out their own fun awards. Like Seamus I thought this was a neat idea, and was also glad (and relieved) that ‘The Endies’ weren’t trying to be yet another award given out because someone disagrees with the ENnies. Thinking back on the year and giving your own awards is more useful (and more fun!), anyway.

I had a much more constrained gaming year than Seamus in part because I had a very busy year; in the middle of this year my partner and I moved, which involved buying a condo, selling two condos, moving one person once and another person (and a cat) twice. In a way I’m surprised I got as much gaming in as I did, and also surprised I was able to write anything from May to August. Still, the difference in absolute number hides the point that Seamus made to me that, due to the number of campaigns I’m in and how often I run, I probably ran and played more sessions by absolute count than Seamus did.

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Articles, Editorial

The Endie Awards 2025 – Seamus Edition

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This post is brought to you thanks to Lady Tabletop, who prompted folks to write about their own gaming experiences of the year and give out their own fun awards. I like the idea a lot, and as it turns out I actually have a lot of games to mention and talk about and give accolades to. I still plan to write up my usual X Years of Cannibal Halflings on the 31st to look back on the year, but this seems like a fun idea that focuses more on the games than the writing about them. So, let’s see what I played, what I thought about them, and who won what!

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Articles, Editorial

My first corporate convention

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When it comes to nerd hobbies, the convention scene is bifurcated. There are local, volunteer-driven cons that put a lot of effort into building content from enthusiasts around the area. There are also the massive, national affairs that bring attention and revenue to their parents. Gaming cons moved quickly into the latter category, even if the initial efforts were modest; both GenCon and Origins came to prominence after their alignment with TSR and GAMA, respectively. And now there’s a massive leader in the corporate con sphere: Penny Arcade Expo, or PAX.

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Articles, Editorial

Things to See at PAX Unplugged 2025

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PAX Unplugged 2025 is this weekend! Which you probably already know, on account of clicking on this article while you’re on your way  there or already in Philly. Alas, I won’t be there this time around. I hear tell some other Cannibal Halflings will be there, though, and I don’t have to be present to Know Things Worth Your Time. Let’s go over some games for you to buy, some games for you to play, and some interesting events to check out.

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Articles, Editorial

It shouldn’t have been called Single Player Mode

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Cyberpunk Red has been going strong for around five years now. The game came out around the same time as the tie-in video game Cyberpunk 2077, and represented a return to form after 2005’s Cyberpunk v3 (and 2020 being over 30 years old). Now, R. Talsorian Games has kept the party going with continual Cyberpunk support both free (in the form of Monthly DLC) and for pay (in the form of the Interface Red collections as well as standalone supplements like Black Chrome). Single-Player Mode is the most recent standalone supplement, and your take on it will depend entirely on what you think a solo RPG is (or should be).

If you’re older than a certain age, when you think solo RPG you think something like Mythic GM Emulator, a set of rules that can act as a GM and let you play through modules or combats on your own. If you’re younger than a certain age (let’s say younger than me at least), your first thought of a solo RPG is probably more like a journaling game, or a hybrid narrative game like The Wretched. It’s important to state this because despite its 2025 release date Cyberpunk Red Single Player Mode is firmly the first of those two. There are no campaign framing tools, no narrative generation, and no character supplements. Cyberpunk Red Single Player Mode is built firmly on using an ‘oracle’ to answer questions which allow you to progress forward through your imagined narrative, and also provides tools to let you play out investigations, social interactions, combats, and neutrons all on your lonesome. What it’s truly best at, though, is having a library of random tables which enable you to set up all sorts of premises, missions, and random encounters to make your Cyberpunk solo game more interesting. You may realize as I say this that random tables aren’t just for solo gaming. Not only is that true, it means that while I think Single Player Mode makes for an excellent GM aid and has some good rules additions…it just doesn’t work as an effective solo game.

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Articles, Editorial

The Last Caravan – Con-Apocalyptic Road Trip

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They came less than a year ago. The war was swift – and brutal.

Humans and aliens bombed each other to smithereens, and now both sides are licking their wounds. Mysterious new factions rise to join the struggle of the fallen titans. In this landscape of shifting allegiances, we may have to choose sides. Debris from the explosion of the aliens’ mothership has clouded the atmosphere, lowering the temperature and creating the coldest winter in a thousand years.
We find ourselves in a melancholy, wintry landscape — quiet, until it’s not. Egg-shaped alien structures thirty stories tall now squat, humming, over the cities they crushed. Xenofauna and lost invaders stalk the woods and highways. A war is brewing in the aching silence.

We are navigating the waking remnants of human and alien empires — and all we’ve got is a car, our fellow travelers, and the road.

It’s time to head west with The Last Caravan.

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Articles, Editorial, Level One Wonk

Cultures of Play, Quanta of Play

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The assumptions, intentions, and design of tabletop roleplaying games are infamously broad; seeing eye to eye on how to play is as primary a challenge as finding a time on the calendar for four to six people. Back in April of 2021, the blog The Retired Adventurer published a post called Six Cultures of Play which still sees reference as a succinct overview of distinct play traditions which have evolved over the last fifty-ish years of structured tabletop roleplaying. Between solid analysis and the author’s own admonitions not to see bright lines between the cultures where there aren’t any, I see the article as a useful model to start thinking about how people game and what they want.

Of course, the gaming world hasn’t stayed still, and from the publication of the original post to the renaming of Twitter to “X” in 2023, fragmentation was the word of the day. Since then, we’ve seen continuing fragmentation joined with an upswell in interest in fairly specific playstyle differentiation, driven by migration away from Wizards of the Coast products and strong take-up of “D&D alternative” products including not only Pathfinder but Daggerheart, Tales of the Valiant, and Draw Steel. The core ideas in the Cultures of Play post still hold true, but the consistent signpost in my mind is in the introduction, where the author describes a culture of play as equivalent to a ‘network of practice’. A community of practice is a group which forms around something they collectively do (or practice) which they have a passion for and want to do better; a network of practice is also that but doesn’t assume the same consistent strength of relationships, therefore being a more appropriate term for a larger, more nebulous group. As broad as a network of practice can be, I don’t really think it aligns with a ‘culture of play’ anymore.

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Articles, Editorial

My gaming group: A twentieth anniversary review

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September of 2025 marks the twentieth anniversary of my current gaming group. Yes, you read that correctly. While I’m not sure of the exact day, twenty years ago either this week or last week I met with five other nerds in the study room of Carnegie Mellon’s newest freshman dorm, New House (which has since been renamed). The organizer, my friend Dan, had swiped the mailing list from an event run by the university’s chapter of White Wolf’s Camarilla Society; he decided that while he wanted nothing to do with a Vampire LARP, he met some cool people at their D&D one-shot event and would want to play D&D with them. We all decided that yes, we’d like to play D&D, and from there we were off. Three more people joined over the next couple of semesters, a lot of games were played, and we were a close-knit group until graduation in May of 2009.

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Articles, Editorial, Level One Wonk

Big groups, small games

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For the most part, the ideal size for a gaming group is five, four players and a GM. This is driven by group dynamics; researchers wrote in the Harvard Business Review back in 2018 that the ideal group size for meetings is between five and eight, at least if the point of that meeting is to have a productive discussion and get things done. Roleplaying games skew to the lower end of this mostly just due to the fact that in addition to the actual ‘meeting’ of a game, there is also the need to manage that many characters, their contributions, and their stories.

Ideal doesn’t mean only, and an experienced GM can run games anywhere in that 5-8 range without too many problems, at least as long as they’re realistic about how long things will take. More and more, though, games are being written towards a specific group size, usually a smaller one. In some cases it’s obvious, like Fiasco: the number of turns in the game, and therefore the amount of time the game will take, is directly proportional to the number of people playing, and even playing with five people, the maximum number recommended by the rules, the game begins to sprawl and the story begins to sag. In other cases, the restriction comes from a clear place, but the question hangs in the air about how to subvert it. A good example of this is DIE: There are six roles, six dice. That’s how many there were in the comic, therefore that’s how many there are in the game.

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Articles, Editorial

Coriolis: The Great Dark Review

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One small step for the Year Zero Engine, one giant leap for Coriolis…

Free League has been shepherding the Coriolis series for nearly a decade now. Originally published by Jarnringen, the original designers of Symbaroum, Coriolis was released in 2008 to much acclaim in Sweden. Free League first got on board creating additional material for the game, but ended up the stewards of the series, releasing their first version in 2016. Now, we get the newest edition, a ‘standalone sequel’ set 200 years after the events of Coriolis: The Third Horizon.

Coriolis won accolades for being a solidly original sci-fi setting, and The Great Dark carries on that legacy by managing to be different even from the version of the game that came before it. At the same time, Free League didn’t mess with the formula of the YZE mechanics too much; we’re staying closer to home with the version of the mechanics established in Mutant: Year Zero and Forbidden Lands than many other recent YZE games have. While I don’t think that The Great Dark is going to win over all existing Coriolis fans, I do think that its combination of strong premise and continued originality is going to help it make a case for itself, either on its own or sitting on the shelf next to all of your Third Horizon books.

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